A great example that the guys can still make the magic happen. brbrREMARQUE Le disque de jeu Rocksmith® 2014 est nécessaire pour jouer. 71 – Mirrors (Mirrors) – I love the crunchy guitar with the solo doubling the whole thing all the way through the song. 54 – Magna of Illusion (Imaginos) – It’s so hard to place some of these songs. 09. Other notable BÖC songs include "Cities On Flame With Rock And Roll", "Then Came The Last Days Of May", "I Love The Night", "In Thee", "Veteran Of The Psychic Wars", "Dominance And Submission", "Astronomy", "Black Blade" and "Shooting Shark". Another of the mid-catalog songs that just seem a little underdeveloped, or perhaps properly developed and just a little boring. 08. Buck essentially solos underneath the main riff of the song whenever it’s played. s t ər / OY-stər; often abbreviated BÖC or BOC) is an American rock band formed in Stony Brook, New York, in 1967, best known for the singles "(Don't Fear) The Reaper", "Burnin' for You", and "Godzilla. The Metallica cover is soulless and empty and never happened. All of that being said, I really like this song. The repeating build to the ending (3:45-end) is brilliant. 6 – Astronomy (Imaginos) – A phenomenal retelling of the Astronomy story. Love the subtly mixed organ underneath the whole thing that’s just screaming (see 2:51 to 2:59). Some information on how my tastes evolved: My first BOC album was my brother’s copy of Fire of Unknown Origin, and I played it hundreds of times before hearing any other BOC. I prefer this version as it’s a bit more coherent. Log in . The lyrics tell a cool story, capturing a moment in time during a hectic period, and the driving guitars mimic the adrenaline and panic of a dogfight. It feels like this is what producers Perlman, Bouchard and Levitin wanted for the whole album, though they managed it with only varying levels of success on the other songs. 12 – White Flags (Club Ninja) – A really well-layered, driving, dynamic song from the sort-of uneven Club Ninja. It ranks this high because it’s a great song, but I also think it’s one of the most perfect examples of prototypical BOC. I am becalmed in virtue Lost to nothing on a bay of dreams Warm weather and a holocaust The tears of God flow as I bleed By far the best song on the mostly meh Agents of Fortune. I think I prefer Eric’s vocals on the original, but Buck does the song justice too. I’m afraid I never really got the crazy love a lot of people have for this song. This album delivers nine other songs that deserve as much accolade as that monster hit. They aren’t exactly the same but for some reason the very end always invokes the ending of Beth by Kiss. The organ riffs are a perfect cherry on the top to a great guitar blues/funk song. “Junkers Jumo 004” is the engine that was mounted on the Me 262, an odd bit of trivia to make into the most prominent line of the song. Required fields are marked *. 02. The slow bridge (“To thee I dedicate this phonograph”) is a nice changeup. Blue Oyster Cult is a popular song by Albert Bouchard | Create your own TikTok videos with the Blue Oyster Cult song and explore 0 videos made by new and popular creators. 4 – Hot Rails to Hell (Tyranny and Mutation)– Another song that typifies early BOC, with quirky breaks and changes, and a driving pace. Much of Imaginos comes across as kind-of contrived or try-hard, this song comes across to me as authentic. It would have been incredible to see this performed live if the version from On Your Feet or On Your Knees is anything to go by. BÖC's canon contains three stone‐cold classic songs that will waft through the cosmos long after the sun has burned out: the truly haunting "(Don't Fear) The Reaper" from 1976's "Agents Of Fortune", the pummeling "Godzilla" from 1977's "Spectres" and the hypnotically melodic "Burnin' for You" from 1981's "Fire Of Unknown Origin". 69 – Goin’ Through the Motions (Spectres) – It starts strong. Joe Bouchard’s vocals are a great fit, and though the song swerves out of its lane towards keyboard pop in a more than a few places, it’s a great addition to the catalog. So much fantasy geek goodness in one song. Catchy but not cheesy hook, fantastic use of gang vocals and background harmonies, awesome rhythm parts backing a great set of solos, and an intriguing lyric story make this one of my favorites. It also includes another instance of lyrics involving “World Without End” from the Imaginos mythos (see The Siege and Investiture of Baron Von Frankenstein’s Castle at Weisseria.). It would rank higher but I think the solo section is a bit bland. 36 – Wings Wetted Down (Tyranny and Mutation) – This is another song that grew on me after repeated hearings. The instant transition from the draggy chords of the opening to the snappy sounds of the first verse (0:18) , even though the tempo stays exactly the same, is one of my favorite musical moments in a BOC song. "They have sold 25 million records worldwide, including seven million in the United States alone. Partition Basse incluse. It’s funny, because other than perhaps Deadline, it’s the least “rockin’” song on the album. Buck playing along with himself using an echo pedal (2:35 through 3:10) is the perfect tone for the song, and is beautiful and eerie at the same time. Those of who are are more familiar with the band know that there are many other songs just as good or better than "(Don't Fear) the Reaper". The solo (3:39-4:24) is quite low in the mix and and seems a little disjointed, like there were lots of things he wanted to say, and he decided to put them all in rather than developing one or two. The continuation of the feedback from the last note of the solo (3:22) throughout the first lines of the last verse (ends at 3:49) is a great unique touch that blows me away every time. 63 – I Am The One You Warned Me Of (Imaginos) – Another piece of attempted epicness from Imaginos that is only mostly successful. 9 – After Dark (Fire of Unknown Origin) – Must follow Vengeance (The Pact). 74 – Kick Out The Jams (Some Enchanted Evening) – A cover of a song by their friends in MC5 (their friend and collaborator Patti Smith married MC5’s Fred Smith). The way they capture the nonchalance of fame (“You can drive my motorcar, It’s insured to thirty thou […] kill them all, if you wish”) makes me laugh every time. That will explain how I recognize the importance of the earlier stuff, but some of it might not rank as highly as some of you other fans would place it. The ending of the solo, with bass and solo guitar doubling each other from 3:16 to 3:35 is fantastic, and the guitar breaks in that feature some of my favorite BOC guitar sounds. 57 – Spy In The House of The Night (Club Ninja) – I love all the details and pieces and parts that come together in this song. The last verse captures the power and helplessness that Elric feels, and swells to a conclusion…. Please, comment. 18 – Take Me Away (The Revolution By Night) – Probably the best song on the 80’s mishmash that was The Revolution By Night. I was fascinated by those string squeaks in the chorus as a young teen. Buck sings well on the song, I think his voice fits perfectly, but the final note is strained and painful (3:08-3:13). Fading out at 5:50 might have been a good ending. The main solo (2:00-2:31) is frantic and beautiful. The solo (2:10-2:25) is mostly forgettable. Stand And Fight BLUE ÖYSTER CULT occupies a unique place in rock history because it's one of very few hard rock/heavy metal bands to earn both genuine mainstream critical acclaim as well as commercial success. Not Bloom’s best vocals, but not a strong melody for him to really grab on to. The guitar riff is unmistakably Buck, but to me the guitar sound isn’t unmistakably BOC. This song would be waaaay higher up the list if it wasn’t a cover. 20 – Veteran of the Psychic Wars (Fire of Unknown Origin) – The song that replaced Vengeance (The Pact) in the movie Heavy Metal. Watch Music Video For New BLUE ÖYSTER CULT Song 'Tainted Blood' September 25, 2020 15 Comments The official music video for a new BLUE ÖYSTER CULT song … Every second there are a dozen different bits of vocal layers, guitar riffs, multiple keyboards and other sounds. Great mix of classic organ backing and early gritty guitar sounds. Mostly benign, but rescued by a great atmospheric bridge with bass, drums and keys at 2:11, sliding into an absolutely blistering guitar solo at 2:42. Crédits de musique disponibles sur www.rocksmith.com. It comes in at a microscopic 3:12 (of the 10 shortest songs in the catalog) even with a gratuitous key change at 2:36 to get a few more repetitions of the chorus in, and then a really long fadeout to pad the song. The staccato chugging main riff and the 15/8 beat really drive this song, always making it feel rushed and faster than it actually is. Strangely, I think the guitar solo (1:11-1:31) is the weakest part of the song. Du line-up original ne subsistent que les chanteurs et guitaristes Eric Bloom et Donald Roeser alias Buck Dharma. The ending solo parts (while they are quite good), I find don’t fit the rest of the song, especially the very ending. After listening to the album so many times, these two songs are welded together and inseparable. The song is carried by a fantastic bass line under a mostly monotone guitar line. A great emotional solo by Buck, showing the roots of the Reaper solo (especially 3:09 -3:30). The doubled vocals are really effective and make a great creepy sort of sound. I couldn’t tell you why, but the droning, repetitive riff and shuffling beat just really speak to me. The background singers (“Pretty girls can’t look away”) drive me crazy. 53 – See You In Black (Heaven Forbid) – I really enjoy how BOC is playing with time signatures in their later music, something they rarely did in earlier albums. It’s not even a problem that the lyrics are total nonsense when they’re executed this well. To comment on a Florida Man 15 – Godzilla (Spectres) – Battling with Reaper for their “most played on classic rock radio” song, any list that didn’t rank this song near the top would be suspect. The drums sound like brown paper on cardboard boxes, but it actually kinda fits the song. Liste des paroles de Blue Oyster Cult. 44 – Veins (The Revolution by Night) – More heavily keyboard influenced rock from the uneven Revolution album. 28 – In Thee (Mirrors) – Sets the standard for “softer” BOC songs. I think the raunchy guitar moves this one up higher than the song itself deserves, but I loves me some 80s metal squeals. The solo (2:49 onwards) is mixed so low that it becomes harder to tell where guitar ends and keyboard begins, especially on the lower strings. I’ll even forgive the non-existence of bass in the mix. Love it enough to forgive the falsetto…. There are other songs worth listening to on Heaven Forbid, but this one is head and shoulders above those. That first minute is quite good, but the song doesn’t go anywhere after that. The bridge (1:54-2:20) is the part where it falls down and really loses the feel. It feels massively overproduced to me, far too shiny and prepackaged. Solo (2:22-2:51) is quite good, but it doesn’t elevate the rest of the song beyond “capable rock song”, like much of the material on Cultosaurus. Comparing a 6 minute chunk of the Imaginos mythos like this to a 3 minute rock song is nearly impossible. 10. I love this song so much that I rated it #2 even though (WARNING: HERESY ALERT!) But for some reason it works. The solo that starts afterwards is kind of uninspired, and the repetition of “We understand, The Blue Oyster Cult” and the long sparkly keyboard fadeout don’t really add much to the song except length. 61 – Dancin’ In The Ruins (Club Ninja) – Places this low because I think it feels like the main song on a Buck Dharma solo project more than a BOC song. 40 – Divine Wind (Cultosaurus Erectus) – My highest ranked song from the post-Mirrors “Okay, let’s show them we can still rock!” Cultosaurus album, which ended up being mostly successful if a little forced. 70 – Madness to the Method (Club Ninja) – The longest non-live song in the catalog at 7:27. Your email address will not be published. I love the piano, especially underneath the chorus. Second longest song in the catalog. Epic song. Wasn’t a fan for the first few years that I owned the album, but now it’s one that I find myself singing at weird moments. Coming nearly two decades after the release of the band's last studio LP, "Curse Of The Hidden Mirror", the effort showcases a band which hasn't been slowed by the time passed but is simply unfazed by it. Screaming organ solo from 2:10 through 2:44 (changing organ sounds halfway through) and a short drum solo (2:53) rock the center portion. and Originally for the movie Heavy Metal, but it apparently gave away too much of the plot. 60 – Blue Oyster Cult (Imaginos) – A remake/reimagining/proper envisioning of Subhuman from Secret Treaties. Jouez Burnin For You, Dont Fear The Reaper, Godzilla - Blue Oyster avec nimporte quelle guitare électrique. I feel like that I’ve heard everything this song has to offer by 1 minute in, and the rest is just “repeat the same way without dynamics”. 8 – Vengeance (The Pact) (Fire of Unknown Origin) – I feel like this is a great song that shows off what mature BOC is about. 23 – 7 Screaming Diz-Busters (Tyranny and Mutation) – This song shows off the great BOC musicianship of the early years. The twangy guitars and high harmony are a little out-of-place in later BOC, but it points to where they came from with SFG. BLABBERMOUTH.NET The album captures, at long last, the creative side of a band that has been playing shows on the road consistently for nearly two decades. I love it when experiments let them push in different directions but still end up sounding so definitely like them. The slowly ascending variations on the main lick in the ending (3:46 onwards) never fail to make me grin. Lots of interesting individual parts, but they never really coalesce into a whole song that works. The second (3:02-end) is a little less inspired. The rhythm of the chords in the chorus is fantastic counterpoint to the simple verses. Blue Oyster Cult lyrics - 139 song lyrics sorted by album, including "(Don't Fear) The Reaper", "Godzilla", "Burnin' For You". Too many things hinted at and begun, and then left for something else. 06. So amazing. The main riff feels like it’s dragging and slow at times, but like the last song, the chorus is what saves it. Definitely nothing really groundbreaking, but solid early BOC. Blue Oyster Cult's songs: Listen to songs by Blue Oyster Cult on Myspace, Stream Free Online Music by Blue Oyster Cult Lyrics to 'Blue Oyster Cult' by Blue Oyster Cult. I love the structure of this song; the various parts are so different yet fit together beautifully. 14 – Baby Ice Dog (Tyranny and Mutation) – Another classic “Early BOC” song, showing the songwriting and musicianship that made everyone take notice. 22 – (Don’t Fear) The Reaper (Agents of Fortune) – It may seem like another heretical opinion to put this song this far down (and below Fire of Unknown Origin) but to be perfectly honest I don’t really like it that much. 38 – R U Ready 2 Rock (Spectres) – Intro and main riff rescue this one and pull it up a bit in the rankings. The vocal holding “Baaaaaaaaaabe” over the ending couple of minutes is fantastic. The light arpeggio in the intro and bridge is spooky and haunting, the massive gang vocals lend a “otherworldly choir” type feel, and the huge reverb makes the scope of the song sound even larger. 75 – X-Ray Eyes (Heaven Forbid) – This song is a nice mixture of more classic BOC sounds and the rhythmically experimental Heaven Forbid Album. 24 – ME 262 (Secret Treaties) – What starts off sounding like a basic 12 bar rock song moves into so much more. User comments or postings do not reflect the viewpoint of Live it becomes a lot more of a solo jam vehicle, which is awesome, but this short version doesn’t have any of the hallmark musical signatures of the great BOC storytellers like Astronomy, Vengeance, Great Sun Jester, or Golden Age of Leather. About Newsroom Store Contact Careers ByteDance. As a whole, it is far better than the sum of its parts. Retrouve toutes les chansons pour Blue Oyster Cult ainsi que de nombreux clips. © 2021 Blabbermouth.net Issued in 1974, Secret Treaties is the purest distillation of all of BÖC's strengths. 48 – Then Came the Last Days of May (Blue Oyster Cult) – Early warning that there were some incredible storytelling epic songs coming from BOC. I listed every song on a studio album, and added songs off the live albums that weren’t recorded anywhere else (Maserati GT, Born to Be Wild, Kick Out the Jams, Buck’s Boogie and We Gotta Get Out of This Place) and the two songs from the Bad Channels soundtrack (Demon’s Kiss and The Horsemen Arrive) then tried to rank them in order. 16 – Harvester of Eyes (Secret Treaties) – The bobbing and swaying of the main lick, backed up by the bouncy bass make a song that you just can’t resist tapping your foot to. 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